heart cycles…

The last two weeks hosted two major Mother City’s highlights: Design Indaba and The Argus – lucky me, fate had it that I was in town for both (there are upsides to being a gypsy). And although there were traffic related challenges as a result, I was afforded the opportunity to venture into the expo and feast my eyes upon a smorgasbord of inspiring innovations and indulgences (I’m talking Indaba, not the Argus – we’ll get there next).  So here’s my top 3 lovely of the loveliest:

1. Anomali … jewellery ‘for the curious’

spoon-erism

Beautiful otherworldly artefacts for adornment made by two fabulous creative varsity friends, Marlette and Moniek, from pre-loved everyday utensils like forks and spoons. Taking the mundane and making magic… whilst recycling. And their packaging is an art form in itself. Love it!

2. Artymiss …making paper pretty

a merry little circus...

Pauline Irvine puts the fun in getting (a) paper cut by creating extraordinary artworks out of a medium most of us use every day – but take it’s beauty for granted. These lovely pieces (think menus, invites, placeholders, playing cards) evoke a deep sense of romance… who needs a gift when you could have an Artymiss card?

3. Helen Vaughan Ceramics …home with nature

wilderness : plated...

Talented multi-medium artist Helen Vaughn draws her inspiration from nature’s raw beauty and cleverly ‘reincarnates’ her experience into clay, cloth, paper and metal. Highly original and unusual, her pieces are functional but fragile, decorative yet practical – a beautiful integration of opposites. And you stand a chance of winning a little something lovely of hers… read on!

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Next up: the Argus. Last year over the Big Bicycle Race I got mugged at knife point on Sandy Bay with Dax after living together for less than a week. A persuasive death knell, I left before April was out. And instead of looking back in anger, I’m actually grateful to the criminals who effectively saved me from a far worse fate. For they helped me ‘see’ what I’d been valiantly trying to ignore: that my life was in a very bad place. Oh, we’d just moved into the most amazing house in The Bay and although I’d noticed an immediate decline in the way Dax treated me, I put it down to him simply being stressed at work.

Which is a bit of a pattern: painting sh*tty stuff pretty – it’s how I’ve managed to excuse anything dodgy done by likes of Duke D. Nile; his malcontent mates; most of my eX’s and of course, the narcissist that started it all: daddy dearest. But such is the nature of cycles: we look back to learn so we can let go.

And speaking of cycles: time to celebrate! April 1st marks the official FIRST birthday of this blog: heppi heppi! So thank YOU all you lovely readers who’ve suffered through the evolutionary process pains and supported me in writing by keeping calm and carrying on… erhm, reading. So in the spirit of love, creativity and celebration, it’s time for another competition. Up for grabs is a lovely Helen Vaughan ceramic ‘silver heart’ necklace.

how to: ( enter )

It’s simple! Sign up and get the latest post delivered straight to your inbox. Just click the ‘sign me up’ button on the top right (above the search box) and enter your email address. Voilà!

( your ) silver heart?

For better odds and extra entries, do the following:

* share the competition details on your facebook page or via your blog

* like the scar*let nguni Facebook page (click here)

* share the love and tweet to your peeps (make sure you ‘tag’ me @scarletnguni and add #mysilverheart so I count your tweet)

For those who don’t do Facebook or Twitter, or who have already signed up: leave me a comment on this post or email me: scarlet dot nguni at gmail with ‘my silver heart’ in the subject line. The competition is open to all readers and closes at midnight Scarborough time on April Fool’s Day. I’ll announce the lucky winner on the 2nd. Good luck!

Posted in Out and About, Retail therapy, win! win! win! | Tagged , , , , , , , , , , , , , , , , , , , , | 15 Comments

yikes…

It’s been over week since my last post and I feel like I should be at some Writers Anonymous meeting right now with a cup of coffee and a leaky pen as I confess the lack of sins against language, literature and life. Things have been a little on the busy side – but mostly of the good, happy varietal. In between yet another (albeit mini-) move; multiple meetings and long walks, the sweet seeds of plans and dreams are starting to sprout like a lush jungle. Left, right and just off stage centre which has me juggling balls. I’m really enjoying the journey… but. It’s gotten in the way of my writing.

lunar lady... (image via www.keepyoursky.blogspot.com)

So while I try balance various spheres and keep surfing the forward momentum, I thought I’d introduce you to one of my all time favourite favourites: Florence + The Machine. Led by 25 year old creative genius and fiery redhead, Florence Welsch, this rockin’; genre crossing, award winning Brit band is best played real LOUD. Preferably whilst driving. Post breakup. Pre breakdown. To lift your spirits with a whole lot of beautifully energetic dark & twisty but oh!so! appealing songs. Because, as Ms Welsch says on her Amazon bio: “I want my music to sound like throwing yourself out of a tree, or off a tall building, or as if you’re being sucked down into the ocean and you can’t breathe. It’s something overwhelming and all-encompassing that fills you up, and you’re either going to explode with it, or you’re just going to disappear.” My kinda music.

Lungs, the fabulous debut album is a must have for any self respecting alternate/indie aficionado. Every track’s a winner. Seriously – if you don’t have it yet, buy it. Now. You can thank me later. I was first introduced to Kiss With A Fist and Girl With One Eye, which featured heavily on my crosscountry roadtrip soundtrack back to the prodigal City and had the conservative Cameron, my dear baby brother, wondering whether I’d finally lost my mind. I moved quickly onto the wrenching likes of Cosmic Love and Blinding (perhaps my favourite thus far, I just wish there was a music video). Look out for the B-sides: Between Two Lungs…. it was released.

“…the stars, the moon, they have all been blown out * you left me in the dark…” 

Album #2, Ceremonials was released late last year and is already sending waves of shock and awe. Seven Devils has been featured in Game of Thrones Season II teasers (what? you haven’t see it yet? oh good gods of all that’s holy, you HAVE to see this series) and the No Light, No Light video has caused all sorts of controversy. Not for the feint hearted, it could very well be the anthem of the dastardly Dax, Duke D. Nile himself – replete with references to weird voodoo and the catholic church.

“…no light, no light in your bright blue eyes * I never knew daylight could be so violent…”

Please hang in there, readers. The next post’s brewing with loveliness from Design Indaba, an opportunity to win and a little celebration. In the meantime, sit back and go with The Flo…

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woodstock rocks…

setting up: Tim and Nate

It sure does. Old school like the 60’s – only cooler, if that’s possible. Woodstock’s my old ‘hood (pre 1x catastrophic move to The Bay) and even though my bike got stolen and my car broken into, there was something magical swirling amidst the dust and decaying buildings. I’ve long said it’s the suburb to buy in – property prices are still relatively low (compared to the rest of Cape Town) and I believe there’s a major renaissance happening here – kinda like the mountain version of Melville. Just look at what’s happening on Albert Road and you’ll see what I mean.

However, this is not a post about property or the state of the economy. It’s about music. And the profound gig I had the pleasure of attending on Saturday. Wild Land maestro, Nate Maingard has been instrumental in supporting local music (and their musicians) and has strongly supported friend and fellow muso, Miles Sievwright latest project, the Woodstock Acoustic Sessions. It’s the gig to catch. The intimate, open air courtyard of West Street Cafe offers a perfectly hip, hot and artistically edgy but old-school venue to host a band of down-to-earth but über cool indie folk erhm… folk.

aside: >

seriously, I’m in love with the Foundry (longer post to follow). if you haven’t been yet, get thee hence. immediately. you can thank me later.

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Tim - with Melody

But back to the music: Nate rocked a beer crate stage with lyrical Tim Hutchinson, ethereal Miles Sievwright and powerhouse Joshua Grierson. All four performers are rapidly rising stars in their own right (individual posts to follow) but to see them together, well, it’s sheer magic. Which is why you should scour the web and make sure you catch all future Woodstock Acoustic Sessions.

Nate - full swing

Tim opened to a bright, azure sky. His gentle molten chocolate voice lends an earthy counterbalance to the mystical quality of his songs. Influenced by Bob Dylan and inspired by Vusi Mahlasela this man means his music. His songs are moving, insistently questioning and oh!so! lovely to listen to. There’s a wonderfully playful synergy between him and Nate when they share the stage. And wait til he whips out his sax: it’s mesmerising.

Nate steps on stage with sunlight steaming behind him. I’ve had the privilege of knowing this practically minded idealist for almost a year and am still in awe of how his already brilliant music just keeps getting better. His haunting voice now has added complexity, greater depth and richness reminiscent of an exquisite merlot. This man’s all heart: a storyteller and giftedly romantic bare-foot young man. Both his music and manner reflect this. Make sure you see him this year at Splashy.

soulful strumming - Miles

Twilight floods the sky during Mile’s set creating a fitting backdrop for this beseechingly beautiful man. A philosophical singer/songwriter with a degree in maths and economics, his ephemeral voice is otherworldly and makes you wish you could drown any noise in silence to better catch each lifting lilt. Spellbinding: like Legolas covering Sigur Rós – with harps. Tender, heartfelt music invokes an abiding sense of peace: I can imagine him performing at dawn in a Norwegian forest. In spring.

The sky’s turning technicolour tricks by the time Josh takes the stage. Wild swirling energy, intense as a cyclone snaps suddenly into focus as he begins to sing: it’s a little like watching the Tasmanian Devil transform into a veritable angel. His songs are wrenching, visceral with a beguilingly broken Tom Waits-y sadness. His voice is refined but raw, he exudes power. Think Johnny Cash meets The Lizard King – at their zenith. Sheer genius – he’ll blow you away. Watch this space: I predict Josh’ll move millions.

Josh - in action

If you weren’t there on Saturday, you missed something special. Make sure to visit the Foundry – and whatever you do, make sure you get to the next gig.

Posted in Out and About, What's on the decks... | Tagged , , , , , , , , , , , , , , , , , , | 9 Comments

(w)here is the love…

Never thought I’d be thanking Facebook for introducing the fangled new Timeline but looks like I might have to do exactly that. Last year, I got nominated for a little award from one of my favourite blogs, motherinterrupted. D kindly wrote:

She’s a bit new age-y. Her words inspire me.

Two sentences which made my day back in December. What I didn’t get then was that the nomination was the award – I kept waiting to hear whether I’d won (yeah, I know: what a brunette). But as lady luck would have it, when my page went linear, the post reappeared. Wondering who’d won the love, I googled the Liebster Blog award: turns out the nomination is effectively a ‘win’.

The word Liebster means ‘beloved, dearest or favourite’ in German and the award is given to up-and-coming bloggers with less than 200 followers.  If you receive the award, and choose to accept (why wouldn’t you?) you need to:

( one ) Thank the giver and link back to the blogger who gave it to you:

Thanks D. You rock lady: I eagerly await updates on The Pirate, life in the dating trenches and the gems that wash up on your SEO shores. Check out her hip, hilarious blog (SLV 18) and sign up… you’ll be grateful you did.

( two ) Name your top five blogs with less than 200 followers:

1. Nate Maingard: local indie-folk acoustic musician maintains a mean blog (and by mean I mean: mighty damn fine) about music, life as a musician, love and the fine art of life. He’s instrumental in promoting other talented locals. Sign up and keep your decks spinning joyfully…

2. Lovelight: personal journey facilitator, meditation guide with a lifelong passion for empowering others Elefetheria’s blog is spiritually inspiring and psychologically astute. If you’re ready to wake from the dream, read on…

3. Innate Integrity: medicine woman, Kheyrne, writes fascinating posts with a holistic approach to health, wellness and healing. Start listening to your body…

4. And Now We’re Off: self confessed tree hugging minstrel, Trish, writes about music, love, life and writing – right from the heart.  Delight in your inbox…

5. Ain’t Life Wonderful: found via D, magical posts about words by Nigel who wonders ‘Is Poetry is a Sport?‘ I rather think it is…

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( three ) Notify the awardees by leaving a comment on their blog (I had to phone a few to ensure whether they qualified, numbers wise)

( four ) Add the Liebster award badge to your blog

( five ) Hope the bloggers named in (two) share the love with their five favourite bloggers and keep it going!

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Wishing you happy reading – and a great week!

Posted in Be inspired!, What's read..., win! win! win! | Tagged , , , , , , , , , , , , , , | 2 Comments

post script…

Any artistic endeavour requires vast amounts of courage – which is why I have an abiding respect for theatre makers. And one of the reasons I struggled to pen the Owl review. I got my former Good Girl panties in a such a right royal knot I eventually sent writer/director, Jon Keevy this note:

I find it near impossible to be anything other than brutally honest and I have expressed some rather critical observations [in my review]. As such, I’d like to send you the draft and allow you to decide whether you want me to publish it.

I expected him to veto it. Hell, that’s what I was asking him to do – and save me from expressing an opinion. But his response was swift: erudite, expansive and mature. He expressed sentiments I’ve long held about ‘theatre culture’ as he explained:

“Don’t worry – for theatre to have any life it must be part of a conversation, requiring that different people have different opinions on it. I don’t think you were brutal, but reasoned and open about where you were coming from as a audience. Theatre has the great ability to get fixed and edited and evolve – again and again – and it needs feedback for this to happen.

I’d rather people were open about what they felt than were polite. I have gotten flak over some of my own blog posts for even mildly questioning the wisdom of the powers that hold the reins of theatre and heard people dismiss opinions that have any hint of negativity to them and I will not be that.

I’m afraid that theatre is dying because we don’t allow opinions to flourish. It is more like self preservation. Being reactionary and defensive when we can’t simply squash criticism makes us more like the government than artists.

Thank you for your support – because any engagement is support.”

*

fabulous fashionista - or plain fool? (image via planbnation.net)

I’ve long felt the Cape Town arts set suffers sometimes from a farcically ironic case of the emperor and his sub rosa robes.  I’ve been paraded around enough pretentious exhibitions with everyone ohh-ing and ahh-ing over, well – nothing – as they walk around with cheap glasses of free wine, getting steadily drunk while gushing like they’ve got a PhD in pop psychology and a doctorate in Dali.

The last shindig I suffered though, Pa Nguni put on a show that would’ve made Shakespeare sick – had he been tweetaalig. There’re colour spreads in Die Burger nearly elke jaar hy verjaar (my father, not Will). Why? Because he’s all that (phat)? So awfully iconic the volk want to know what he eats for breakfast. Somehow, I doubt it. But he does specialize in strategic friendship and makes maatjies forever with chair holders in high places. Who have big publishing budgets. And young wives (with expensive if questionable taste). You’d be surprised, people want to buy a mille-feuille of the South African ‘dream’…

As for theatre, well, it looks a little like the merry-go-round at a carnival to an outsider like me. The usual suspects sit in the audience, then hop on stage, drift back to the seats, then up on stage, in the wings, back in the audience (etcetera) as they flash cheery day-glo grins at one another, offering cheap applause and heady shots of generic praise. Nobody wants to say anything which might be construed as the least bit negative lest it offend a director/performer who might sit through their next play, hatchet in hand. So everyone smiles, dishing out platitudes over canapés or rhapsodising highly over-intellectualized nonsense about some secret subtext; the deep symbology of mythical psychodrama; the pseudo sexual; subversively political; bonhomie of it all. I have to wonder: do they really get it or are they waxing invisible threads? (cue La Vie Bohème, RENT) *sigh*

If you’re committed to honing your skill, you do well to welcome honest feedback. Of the constructive kind, mind. Critics with absolutely nothing nice to say should just shut up –professional jealousy from those who lack balls to get out there and create themselves are what R&B songs are made of (they’re haters, y’all). If you want to see great local productions (or any other evidence of artistic expression) then stop your fussing, care enough to get out there and support individuals with the requisite courage, passion and ambition to bring their work to light. And tell them what you think. Those dedicated to the quest will perform alchemy on a critic’s rough lead. From what I’ve experienced thus far, Keevy’s up to the challenge – hell, he’s even willing to smack theatre in the face to save it.

And since he left me with so many questions, I thought I’d throw a few of mine:

SN: So, what’s in your boot?

JK: 10 paraffin Lamps and 30 shot glasses. Also copies of Cosmo and SL from 2006.   SN: Erhm… ok. I’m curious but a little afraid to ask what you’re planning to do with that stash

SN: Your house’s burning, what do you take?

JK: I want to say my sketch books, but that’d be several trips. So I’ll take the journals I’ve been keeping for the last 5 years SN: Rather writerly of you, squire. I like your priorities  

SN: So what’s the 1st thing you’ll do when it’s all over?

JK: I think it’s more defined by what I won’t do. I won’t answer my phone, or check my email. I’m not even going to turn on my computer. I’ll get out of the city, drive out to my parents farm and enjoy the silence.

SN: The song currently spinnin’ your iPod?

JK: Bloc Party - Waiting for the 7:18 SN: Love those guys. The Prayer can get me through pretty much anything…

SN: Last night on earth: what do you do?

JK: Last night on Earth? I’d try to finish all the things I’ve started. Like that short story and that bottle of Bells.

*

May the gods grant us all whiskey…

Posted in On screen..., Out and About, Ranting and raving | Tagged , , , , , , , , , , | Leave a comment

night, Owl…

lone owl...

Night. A battered armchair seeps stuffing onto the stark, scuffed stage and sets a bleak scene. Subtle use of light narrows the focus on a lone figure, 10 year old Olivia, as she embarks upon a journey: innocence, lost.

Man, this was a tough play. I’ve struggled to make sense of what I think and feel about it, wrestling the keyboard to pen something coherent. Evidence, clearly, that Jon Keevy knows how to get under your skin. And if theatre is measured by its ability to elicit a response for its audience, Owl certainly earns its wings.

It’s a highly ambitious play. Writer/director Keevy puts himself in the shoes of a young girl who has to deal with a depressing bouquet of social ills. Between Olivia and her friend, Kay, there’s domestic violence; parental absenteeism, abandonment and death; ostracism; underage drinking; questionably consensual sex (if not full blown rape) and the sticky issue of sexual preference. That’s a hang of a lot of heavy stuff to address in an hour with just one prop and some physical theatre. Which left me with a lot of questions. And very few answers.

For theatre to rock, I have to be hooked, sucked in: by the story, a character, score, lighting, the set. I want to be submerged in a strange new world and forget reality. To feel fully engaged. I’ll watch fluff – as long as the production is good and shallow, I can be entertained quite happily by shallowness. I’m equally prepared to sit through a dark, complicated production which stirs the unconscious, leaving me disturbed for days if it manages to makes me buy it and believe. I want to be beguiled, enchanted, rapt. To escape into a magical parallel dimension.

Whilst I could relate personally to most the charged issues raised by Owl, I felt little or no resonance with its title character. Intellectually I got it – but emotionally, I was left untouched, feeling predominantly distant and removed. Which is where the battle started.

I wondered whether my recent break up and dislocation rendered me immune to feeling. Whether I was sitting too close to the stage. Whether growing up with a single parent of the opposite sex increases the probably of finding someone of the same sex sexually appealing. Whether traumatic first experiences or rape can repel you from the ‘offending’ gender. Whether Kay was modeled on Yo-Landi Vi$$er. Whether a man can accurately portray a woman’s point of view. Whether one man/woman plays can handle more than one character. Whether prose and play are interchangeable.

Briony Horwitz’s portrayal of the numerous Overberg characters has moments of brilliance. I recognise it’s a remarkably mean feat to juggle a multiply of roles without resorting to excessive cliché and caricature. It’s tough to be a cast of one.

I wonder whether Owl wouldn’t be strengthened by a little simplification. Draw fine focus to the fimbriate and here’s a bird fit to fly like no other.

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Owl runs until Thursday March 2nd at the Intimate Theatre (Hidding Campus, 37 Orange Street, Gardens). Tickets are R60. To book,  call 084 2498532 or email owl@jonkeevy.com

night, falls...

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RIP: the Good Girl…

best you break it...

One disastrous liaison too many, I realize I may have a bit of an issue with boundaries. Yeah, who’d have guessed? (Say anything - I kill you). Comes standard: lock, stock and two smoking ovaries with playing the proverbial good girl as I’ve done most of my life. Most, please note, I’ve deviated quite monstrously a few times. Being a Good Girl (or male equivalent: The Golden Boy) is akin to a slow death by strangulation: the loaded game, impossible to win. A dramatic description, sure. But when you expend vast amounts of energy in the dilly pursuit of pleasing other people, endeavouring to do the ‘right thing’ (whatever the f*ck that might be) and generally sacrificing your happiness for the sake of someone else, you’ll understand what I mean.

Whilst trolling for images for this post (you’d be equally amazed and horrified by what turns up when you search ‘good girl’), I found TEDxWoma(e)n Rachel SimmonsThe Curse of The Good Girl. Extracts from the press release reveals a bleak bulls eye:

Unerringly polite, nice, modest, and selfless, the Good Girl paradigm is so narrowly defined it’s unachievable. With self-esteem tied to perfection, girls are unable to know, express and manage a complete range of feelings. The need to be “perfect” leaves girls uncomfortable with feedback and failure, making it difficult to recover from even minor setbacks; a conflict with a peer or a mistake in the classroom is often enough to unleash paralyzing self-criticism. Deprived of the permission to articulate their needs, strengths, and goals, girls are confined by a psychological glass ceiling that can extend into adulthood, stunting the growth of vital skills and habits essential to personal and professional success.

silent, deep waters (image by Annie Stegg via www.deviantart.com)

Sound familiar? Kinda reminds me of Ophelia. And we know how things ended for her: cold, lonely and heartbroken at the bottom of a river.

Elefetheria Kakambouras, personal journey facilitator with honours in clinical psychology and a passion for empowering others, explains:

“The Good Girl archetype is shrouded by limitations – she is usually raised with a whole set of shoulds which crystalize, becoming part of her internal belief and guidance system.

The should list usually looks something like this:

  • You should never get angry – good girls do not show their anger
  • You should behave in an appropriate manner – otherwise people will not like you
  • You should dress in a certain way, be married with children by a certain age – otherwise you will not be accepted
  • You should have a man in your life – otherwise you will not feel secure.

This frame of reference sets you up to think, behave and say things to get external approval. When you depend on external sources for your sense of value, worth or happiness, you set yourself up to for continual disappointment – it’s an unhealthy basis for a relationship that fosters co-dependent behaviour. In truth, your value can only ever come from within – and this flows outwards to attract experiences which reflect how you value yourself. But this is the opposite of what we’ve been taught and here we get stuck. Lines from romantic movies (think Jerry Maguire‘s famous: “You complete me”) entrench this illusion and prevent us from discovering the true source of happiness and self-worth.

At some point the Good Girl realises the internal “should list” she’s carrying around is someone else’s idea of what a “good” person aught to think, say and do – which have nothing to do with her own beliefs and values. This split leads to a lifetime of pretending and misalignment with the authentic self.  The process of busting the “should” myth – at 20, 30, 40 or 60 is a profoundly powerful one and an honour to witness and facilitate. Finally letting go of these belief structures which cruelly edit the self, allows You to be You. And when you are authentically you, you start heeding your inner voice, instead of those misleading, illusionary shoulds. This is when you awaken to your inner goddess and unfold your truth: that you’re an intelligent, dynamic, powerful, sexy, courageous, magnificent women.”

Viva to that. I’m moeg of being seen as sweet, approved of because I’m nice and thoughtful and considerate. I’ve gotten  good at putting other people’s needs above mine: I’ve played the Good Daughter, Good Sister (though Cameron would probably disagree), Good Girlfriend, Good Employee, Good Employer, Good Friend, Good Host, Good Patient, Good Student, Good Golly Miss Molly, if there’s a role to be ‘good’ in, I’ve auditioned for it. Hell, I’ve even tried the Good Mistress once (but got fed up pretty fast with that lark – seems I prefer singular relationships, dysfunctional and otherwise). The approval payoff only ever gets you so far – predictably I’ve literally get sick and bloody tired of trying so hard to please everyone else – it’s a waste, a half life. And the general approval high only gets you so far…

In the words of my adolescent icon, Jim Morrison:

“The most important kind of freedom is to be what you really are. You trade in your reality for a role. You trade in your sense for an act. You give up your ability to feel, and in exchange, put on a mask. There can’t be any large-scale revolution until there’s a personal revolution, on an individual level. It’s got to happen inside first.”

the gown made me do it...

Indeed. I’ve felt most alive when I’ve done wild, whimsical things a good girl probably shouldn’t do: followed my heart to the ends of the earth; made rhyming couplets at a wake in the rain; danced down the aisles at a grocery store; jumped a fountain at a pretentious party (in a ballgown); climbed a tree during a prestigious awards ceremony (same gown). Years later, these are magical highlights in my memory, powerfully joyous moments when I felt my lifeblood burn with adventure. I’m tired of shackles, I’m sick of being safely socialized. I’m learning to say “no” to other people in order to say a greater, more authentic YES! when I’m ready. I’m learning boundaries. So what of the Good Girl? Time to bid her farewell as I don that ballgown and lay her to rest…

Posted in Ranting and raving, What's read... | Tagged , , , , , , , , , , , , , | 1 Comment